When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.
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The Green Fog
2018
Screenwriter John Michael Hayes on 'Rear Window'
2001
Hitchcock's Confession: A Look at I Confess
2004
Alfred Hitchcock: Master of Suspense
2013
Terror in the Aisles
1984
Wes Anderson: From Above
2017
Hitchcock/Truffaut
2015
Mystery Train: Hitchcock and The Lady Vanishes
2007
78/52
2017
Eyeblink
1966
Mirrors of Bergman
2015
Ozu: Passageways
2012