From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
Japanese
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Hiromichi Sakamoto
Himself
Tomoko Shimazaki
Herself
Ken Takehisa
Himself
Fuyuki Yamakawa
Himself
Yoshihide Otomo
Self
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